CKQG spoken language sounds and their corresponding pictograms and ideograms of the Albanian language.
If we study the pronunciation of CKQG sounds, we find differences between them, but surprisingly they have a shift from a position at the beginning of the mouth to back at the end.
The proto-Albanian language could produce a Q sound in approximately in the middle of the mouth, just a little bit behind the middle of the mouth, which sounds different from K, and the first Albanians built the Q pictogram for this particular sound.
This sound was first pictographed in the Danube script and was translated and borrowed over the millennia into other written languages, as well as one of the variants of the proto-Albanian alphabet that we now call the Phoenician alphabet and later into the Hebrew, Arabic, Greek and Latin alphabets and it was in their languages. In the beginning, the Q sound in the doughter languages was the same as the Q of today's Albanian
Today, linguists try to make clear the flow of Q from the Phoenician alphabet to Hebrew, Greek and Latin, but the explanations are very vague, because its origin is simply not known yet and, as always, the Albanian language has been overlooked.
What is the connection between the CQKG pictograms and the sound-like connection between them?
Let's start with C as the simplest from their pictographic point of view.
What place does C have in his mouth?
C is produced at the beginning of the mouth. Look at an O and open it, remove a piece of the circumference first, the mouth opening. That's why we have the word COPE in Albanian, which comes from the C and O of Be.
COPE/piece, chunck=
COBE=B>P
C O BE=which means C of O make. The C is the code of piece and chank.
If we study the pronunciation of CKQG sounds, we find differences between them, but surprisingly they have a shift from a position at the beginning of the mouth to back at the end.
The proto-Albanian language could produce a Q sound in approximately in the middle of the mouth, just a little bit behind the middle of the mouth, which sounds different from K, and the first Albanians built the Q pictogram for this particular sound.
This sound was first pictographed in the Danube script and was translated and borrowed over the millennia into other written languages, as well as one of the variants of the proto-Albanian alphabet that we now call the Phoenician alphabet and later into the Hebrew, Arabic, Greek and Latin alphabets and it was in their languages. In the beginning, the Q sound in the doughter languages was the same as the Q of today's Albanian
Today, linguists try to make clear the flow of Q from the Phoenician alphabet to Hebrew, Greek and Latin, but the explanations are very vague, because its origin is simply not known yet and, as always, the Albanian language has been overlooked.
What is the connection between the CQKG pictograms and the sound-like connection between them?
Let's start with C as the simplest from their pictographic point of view.
What place does C have in his mouth?
C is produced at the beginning of the mouth. Look at an O and open it, remove a piece of the circumference first, the mouth opening. That's why we have the word COPE in Albanian, which comes from the C and O of Be.
COPE/piece, chunck=
COBE=B>P
C O BE=which means C of O make. The C is the code of piece and chank.
C is the part of O that had been separated from O.
And the verb "open" most likely comes from this formative word origin.
COBE=
KOBE=C>K
KOPE=B>P
KAPE=O>A
HAP/OPEN=K>H
From this level of phonetic transformation, I think that the Latin priests got the word, which is the most recent level of creating a language from the old Albanian language.
The other doubt about the form HAP is that may come from the A pictogram of legs when we open our legs, to walk, which we have in HAP/step the other meaning with the same form of this word in Albanian.
COBE=
KOBE=C>K
KOPE=B>P
KAPE=O>A
HAP/OPEN=K>H
From this level of phonetic transformation, I think that the Latin priests got the word, which is the most recent level of creating a language from the old Albanian language.
The other doubt about the form HAP is that may come from the A pictogram of legs when we open our legs, to walk, which we have in HAP/step the other meaning with the same form of this word in Albanian.
That's how I think the Albanian created the word C O Be. With words of today's language in C and O in Be
Two different pictograms will appear in the vertical direction, the C pictogram and if we divide it in half the D pictogram and in the horizontal direction U.
C is an open O, or a part removed from it, or, more or less, a 3/4 shape of I
Notice the strong connection between the position of the C sound in the mouth at its beginning and the C symbol that preceded an opening O at its beginning. If you draw a cross-section of your mouth in an open position when you pronounce C, the drawing will show a copy of C.
If you put C a vertical line to the left and the arc C will become K.
The K is also produced at the beginning of the mouth, but it is after the C, as well as the K as shown by a letter that I added to the C made the difference between them, but I put the K after the C, as a pictogram.
The position of the K is symbolized only by the I placed after the C, deeper in the mouth, but the I after the C distinguishes between the C and the K as a sound and as a letter.
So: I+C=IC=K
Q is produced approximately in the middle of the mouth. Where does the Q come from and today there is an I right in the middle of the O, just like the position of the Q sound in the mouth.
Is this a coincidence?
So we have: I+O=Q as a pictogram and as the middle position of the Q in the mouth.
The G sound is produced at the back of the mouth. If you put a short I at the beginning below the C, we have a G, but we also have the Q icon, but rotated with a little curve at the end, more clearly even in the small g.
The construction of the G as a pictogram symbolizes that the K sounds and the G sound are similar in sound, but the G sound is produced at the end of the mouth at the same angles as the K at the beginning of the mouth. Look at the G carefully, the arch and half of the I symbolize the bottom of the mouth, the I pictographically creates the middle of the mouth, so the G is the entire cross section of the mouth and the G itself stands at the bottom.
The basis of the CKQG system lies in O, where O the closed mouth has no sound, C opens the O, O open on one side the sound at the beginning, the sound K and the pictogram after C where the I is placed that distinguishes between them, the sound Q and the pictograph in the center of O, and the G sound, and the pictograph at the end of O, of the mouth after Q and K.
With the pictograms of the elements of the mouth with all the lips you can build an entire alphabet. There are Z, D, DH, R, B, etc.
Two different pictograms will appear in the vertical direction, the C pictogram and if we divide it in half the D pictogram and in the horizontal direction U.
C is an open O, or a part removed from it, or, more or less, a 3/4 shape of I
Notice the strong connection between the position of the C sound in the mouth at its beginning and the C symbol that preceded an opening O at its beginning. If you draw a cross-section of your mouth in an open position when you pronounce C, the drawing will show a copy of C.
If you put C a vertical line to the left and the arc C will become K.
The K is also produced at the beginning of the mouth, but it is after the C, as well as the K as shown by a letter that I added to the C made the difference between them, but I put the K after the C, as a pictogram.
The position of the K is symbolized only by the I placed after the C, deeper in the mouth, but the I after the C distinguishes between the C and the K as a sound and as a letter.
So: I+C=IC=K
Q is produced approximately in the middle of the mouth. Where does the Q come from and today there is an I right in the middle of the O, just like the position of the Q sound in the mouth.
Is this a coincidence?
So we have: I+O=Q as a pictogram and as the middle position of the Q in the mouth.
The G sound is produced at the back of the mouth. If you put a short I at the beginning below the C, we have a G, but we also have the Q icon, but rotated with a little curve at the end, more clearly even in the small g.
The construction of the G as a pictogram symbolizes that the K sounds and the G sound are similar in sound, but the G sound is produced at the end of the mouth at the same angles as the K at the beginning of the mouth. Look at the G carefully, the arch and half of the I symbolize the bottom of the mouth, the I pictographically creates the middle of the mouth, so the G is the entire cross section of the mouth and the G itself stands at the bottom.
The basis of the CKQG system lies in O, where O the closed mouth has no sound, C opens the O, O open on one side the sound at the beginning, the sound K and the pictogram after C where the I is placed that distinguishes between them, the sound Q and the pictograph in the center of O, and the G sound, and the pictograph at the end of O, of the mouth after Q and K.
With the pictograms of the elements of the mouth with all the lips you can build an entire alphabet. There are Z, D, DH, R, B, etc.
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