Fatmir Iliazi Linguistic Glob Abstract The relationship between graphic symbols, spoken language, and the emergence of writing remains one of the unresolved questions in the study of human communication. This article proposes a hypothesis concerning the historical and conceptual relationship between the geometric form conventionally represented as D, the semantic notions of division and separation, and a group of Albanian lexical forms including dal/del ‘go out, exit’, dalje ‘exit, way out’, der ‘door’, da ‘divide/separate’, and dy ‘two’. The argument begins with the Neolithic sign repertoire associated with the Vinča cultural complex of southeastern Europe, conventionally dated to the sixth–fifth millennia BCE. Although the Vinča signs cannot presently be demonstrated to constitute a fully deciphered writing system, their recurrence, standardization, and occasional combinations make them important evidence for the development of structured graphic communication. Earlier scholarship ha...
Toward a Theory of Geometric Iconicity in Albanian: Form, Sound, and Meaning in vesh ‘ear’ Abstract This article proposes a research hypothesis concerning a possible relationship between visual form, phonetic structure, perception, and lexical meaning in Albanian. The hypothesis is developed through an analysis of the Albanian word vesh ‘ear’, whose phonological form /veʃ/ is examined alongside the visual configurations associated with its written representation and the perceptual and anatomical properties of the referent. The argument does not claim that the modern shapes of the letters v, s, and h constitute the historical source of the word vesh. Such a claim would confuse the history of writing with the history of the lexeme and would require independent historical evidence. Instead, the article proposes a broader concept, termed here geometric iconicity, referring to the possibility that spatial, visual, articulatory, and perceptual structures may participate in systematic co...