The Etymology of Language Construction: A Critical Perspective
The etymologies provided by modern linguists often fail to capture the essence of language construction. This limitation is evident when examining the word for "mouth" across various languages.According to traditional etymology, the word of the ancient Greek "stóma," derived from Proto-Indo-European "*stomn̥" or "*stomen-" ("mouth, muzzle"). However, the Albanian language reveals a more fundamental code underlying word construction.
In Albanian, the word for "mouth" is "goj(ë)" in the standard language, "golë" in the Cham dialect, and "gjoj" in the Geg dialect of the Mat region.
A closer examination of these words exposes a deeper structural explanation: Gjë-O = gojë/gol(ë), which translates to "O thing." This pattern is consistent across various languages, where "gjë O" corresponds to "mouth" (English), "bocca" (Italian), and "рот" (Russian).
The Albanian language boasts numerous O-words that reflect the physical O-shape of the objects they describe. These words demonstrate that newer languages have been constructed upon the code-words of the ancient Albanian language. This intentional design change occurred relatively late in the evolution of the European languages.
Older languages like Albanian have contributed fundamental building blocks or "helper cells" to the vocabularies of newer languages. The connection between the pictogram "O" and the mouth has its roots in ancient pictographic writing systems.
Ancient Pictograms and the Origin of the "O" Symbol
A closer examination of ancient pictograms reveals the following:
1. In the script now called Danubian (or Vinča), the ancient script of the Albanian language, the symbol for "mouth" was a circular O shape.
2. In ancient Sumerian cuneiform, the symbol for "mouth" was a circular or oval shape, similar to the modern letter "O."
3. In ancient Egyptian hieroglyphs, the symbol for "mouth" was also a circular or oval shape.
The Albanian language boasts numerous O-words that reflect the physical O-shape of the objects they describe. These words demonstrate that newer languages have been constructed upon the code-words of the ancient Albanian language. This intentional design change occurred relatively late in the evolution of the European languages.
Older languages like Albanian have contributed fundamental building blocks or "helper cells" to the vocabularies of newer languages. The connection between the pictogram "O" and the mouth has its roots in ancient pictographic writing systems.
Ancient Pictograms and the Origin of the "O" Symbol
A closer examination of ancient pictograms reveals the following:
1. In the script now called Danubian (or Vinča), the ancient script of the Albanian language, the symbol for "mouth" was a circular O shape.
2. In ancient Sumerian cuneiform, the symbol for "mouth" was a circular or oval shape, similar to the modern letter "O."
3. In ancient Egyptian hieroglyphs, the symbol for "mouth" was also a circular or oval shape.
Examples such as "gj"ë O", "ba-O-ka," "si-t-O-ma," "R-O-T," and "me-O-TH" illustrate how these embryomorphic elements of Albanian are incorporated into words, often featuring the shape or sound "O" as a recurring element.
The Chinese character for "mouth" is indeed (kǒu), which is a rectangle with an open top, symbolizing an open mouth. The presence of the "O" sound in the middle of the character is intriguing, especially considering the potential phonetic change between Albanian and Chinese.
The g>k phonetic change is a common sound shift in linguistics, where the sound "g" shifts to "k" in certain languages or dialects. This sound change is observed in various language families, including Indo-European and Sino-Tibetan.
Given the similarities between the Albanian and Chinese words for "mouth," it's possible that there's a deeper connection between the two languages, potentially reflecting an ancient linguistic or cultural exchange.
Conclusion
The etymologies of modern linguists often overlook the fundamental codes underlying language construction. The Albanian language, with its unique O-words and ancient pictographic roots, offers a fascinating glimpse into the intentional design of language. By examining the embryomorphic elements and pictographic symbols that underlie language construction, we can gain a deeper understanding of the complex dynamics of human communication.
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